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IL CORPO DELLA VOCE. CARMELO BENE, CATHY BERBERIAN, DEMETRIO STRATOS

April 9 - June 30, 2019

Carmelo Bene, Hommelette for Hamlet, 1988 | photo Tommaso Le Pera

Carmelo Bene, behind the scenes of the Teatro Quirino in Rome, 1981 | photo Marcello Mencarini © Marcello Mencarini

Carmelo Bene. Macbeth Horror Suite, 1996 | photo Tommaso Le Pera

Archivio Carmelo Bene, photo Francesco Buccarelli

Carmelo Bene, Solitudine in Achille, notebook with handwritten notes, without date (early nineties) | Archivio Carmelo Bene, photo Francesco Buccarelli

Advertising poster Teatro delle Arti, 1992 | Archivio Carmelo Bene, photo Francesco Buccarelli

Cathy Berberian Collection, Paul Sacher Foundation, Basel

Cathy Berberian posing for Stripsody, photograph with handwritten signature, 1966-68 | Cathy Berberian Collection, Paul Sacher Foundation, Basel

photo Annette Lederer. Cathy Berberian Collection, Paul Sacher Foundation, Basel © Annette Lederer

Photography (posing or scene) around Stripsody, 1966 | photo Annette Lederer. Cathy Berberian Collection, Paul Sacher Foundation, Basel © Annette Lederer

Cathy Berberian poses with Stripsody's stage costume, circa 1966 | Cathy Berberian Collection, Paul Sacher Foundation, Basel

Cathy Berberian and John Cage during the preparation of Songbook, Paris 1972 | Cathy Berberian Collection, Paul Sacher Foundation, Basel

Cathy Berberian and John Cage portraits from Earl Brown, New York 1959 | Earl Brown Collection, Paul Sacher Foundation, Basel

Cathy Berberian. Scene photo of the first absolute performance of "La passion selon sade", Palermo 1965 | Cathy Berberian Collection, Paul Sacher Foundation, Basel

Sylvano Bussotti and Cathy Berberian, 1965-68 ca. | Cathy Berberian Collection, Paul Sacher Foundation, Basel

Eugenio Carmi, bang-BUM, Stripsody series table, 1967 | By courtesy of the Eugenio Carmi Archive, Milan

Eugenio Carmi, chrunch, Stripsody series table, 1967 | By courtesy of the Eugenio Carmi Archive, Milan

Eugenio Carmi, VROOP-ROOP, Stripsody series table, 1967 | By courtesy of the Eugenio Carmi Archive, Milan

Eugenio Carmi, BOINGGGGG, Stripsody series table, 1967 | By courtesy of the Eugenio Carmi Archive, Milan

Eugenio Carmi, BOOM, Stripsody series table, 1967 | By courtesy of the Eugenio Carmi Archive, Milan

Poster of the event “Il treno di John Cage - Alla ricerca del silenzio perduto”, 1978 | photo Emilio Fabio Simion © Emilio Fabio Simion

Demetrio Stratos, Exhibition during “Il treno di John Cage - Alla ricerca del silenzio perduto”, 1978 | photo Fabio Simion © Emilio Fabio Simion

“Il treno di John Cage - Alla ricerca del silenzio perduto”, 1978 | photo Emilio Fabio Simion © Emilio Fabio Simion

photo Roberto Masotti. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Roberto Masotti

Demetrio Stratos performs the Mesostics of John Cage at the Fiorucci Space in Via Torino, Milan, 1977 | photo Roberto Masotti. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Roberto Masotti

Foto Roberto Masotti. Lelli e Masotti Archivio. Courtesy 29 ARTS IN PROGRESS gallery © Roberto Masottiphoto Roberto Masotti. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Roberto Masotti

Stratos grappling with effects to prepare the voice related to the recording in solo from the title METRODORA, published for the series Cramps / Diverso, Milan, 1976 | Foto Roberto Masotti. Lelli e Masotti Archivio. Courtesy 29 ARTS IN PROGRESS gallery © Roberto Masottiphoto Roberto Masotti. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Roberto Masotti

photo Silvia Lelli. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Silvia Lelli

Demetrio Stratos during a performance at Pre-Art, Milan, 1978 | photo Silvia Lelli. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Silvia Lelli

Demetrio Stratos at the Performance Week, Museum of Modern Art, Bologna, 2 June 1978 | photo Silvia Lelli. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Silvia Lelli

Demetrio Stratos, from Le bocche, sequence of 6 photos, Milan, 1977 | photo Silvia Lelli. Lelli and Masotti Archive. Courtesy 29 ARTS IN PROGRESS gallery © Silvia Lelli