Jim Dine | Works on display

 


GALLERY 1

 

Head, 1959
oil on canvas
cm 68,5 × 52
Courtesy of the artist

 

Small Head, 1959
oil on canvas
cm 35,5 × 25,4
Courtesy of the artist

 

Head #1, 1959
watercolour on paper
cm 60,9 × 44,5
Courtesy of the artist

 

Head #2, 1959
watercolour on paper
cm 60,9 × 44,5
Courtesy of the artist

 

Head #3, 1959
watercolour on paper
cm 60,9 × 44,5
Courtesy of the artist

Crash Pastel #1, 1959
pastel on paper
cm 66,04 × 50,8
Courtesy of the artist

Crash Pastel #2, 1959
pastel on paper
cm 66,04 × 50,8
Courtesy of the artist

Cross, 1959
pastel on paper
cm 76,2 × 55,88
Courtesy of the artist

 


Happening. Photographic documentation


Robert R. McElroy, Jim Dine and Anita Reuben in the Judson Church gallery open to the public during the construction of The House, New York, January 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photos © J. Paul Getty Trust

Martha Holmes, Jim Dine in The House, Judson Gallery, New York, January/March 1960
Photo © Martha Holmes/The LIFE Images Collection/Getty Images

Robert R. McElroy, Jim Dine in a sequence from The Smiling Workman, Judson Gallery, New York, 29 February 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photos © J. Paul Getty Trust

Martha Holmes, Jim Dine in a sequence from The Smiling Workman, Judson Gallery, New York, 29 February 1960
Photos © Martha Holmes. Courtesy Jim Dine Studio

Robert R. McElroy, Jim Dine at the end of The Smiling Workman, Judson Gallery, New York, 29 February 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine with, from left to right, Anita Reuben, Nancy Minto Dine, Lucas Samaras and Robert Whitman. Nancy wore a tulle skirt decorated by fresh flowers, which she distributed to the attenders, Reuben Gallery, New York, 1st April 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine at the opening of his solo exhibition, Reuben Gallery, New York, 1st April 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine at the opening of his solo exhibition, on the left the work Bedspring, Reuben Gallery, New York, 1st April 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine in Vaudeville Collage, four acts sequence, Reuben Gallery, New York, 11th June 1960 (3 photos)
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photos © J. Paul Getty Trust

Robert R. McElroy, The vegetables in the second act of Vaudeville Collage, Reuben Gallery, New York, 11th June 1960
Harald Szeemann Papers, Getty Research Institute, Lo Angeles (2011.M.30). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine during the preparation for Car Crash in his home-studio, New York, 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Rehearsals for Car Crash, from left to right, Patricia Muschinski, Judy Tersch, Marcus Ratliff, Jim Dine from behind, Reuben Gallery, New York, 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Patricia Muschinski during the rehearsals for Car Crash, Reuben Gallery, New York, 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, The entrance of the Reuben Gallery during Car Crash, Reuben Gallery, New York, 1-6 November 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, The lobby of the Reuben Gallery with Jim Dine’s works presented together with Car Crash, Reuben Gallery, New York, 1-6 November 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust
Robert R. McElroy, Judy Tersch, Marcus Ratliff in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Alan R. Solomon Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.

Robert R. McElroy, Patricia Muschinski in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Patricia Muschinski in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Alan R. Solomon Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.

Robert R. McElroy, The public of Car Crash during Patricia Muschinski’s monologue, Reuben Gallery, New York, 1-6 November 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine and Judy Tersch in Car Crash, on the right Robert Indiana, Reuben Gallery, New York, 1-6 November 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photo © J. Paul Getty Trust

Robert R. McElroy, Jim Dine in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Alan R. Solomon Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.

Robert R. McElroy, Jim Dine in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photos © J. Paul Getty Trust

Robert R. McElroy, Jim Dine in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Alan R. Solomon Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.

Fred W. McDarrah, Jim Dine in Car Crash, Reuben Gallery, New York, 1-6 November 1960
Photo © Fred W. McDarrah/GettyImages

Fred W. McDarrah, Jim Dine in front of the lithography Crash, Crash, Crash, Crash, Reuben Gallery, New York, 1-6 November 1960
Courtesy Jim Dine Studio

Robert R. McElroy, Jim Dine arranges the seating for the public of A Shining Bed, to the sides of the scene, Reuben Gallery, New York, 16-18 December 1960 (2 photos)
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7). Photos © J. Paul Getty Trust

Robert R. McElroy, Jim Dine in a sequence from A Shining Bed, Reuben Gallery, New York, 16-18 December 1960
Robert R. McElroy Archive, Getty Research Institute, Los Angeles (2014.M.7), Photos © J. Paul Getty Trust

Fred W. McDarrah, Jim Dine in Natural History (The Dreams), “First Theater Rally: New York”, TV Studio (former CBS studio), Broadway and 81st Street, New York, 1-3 May 1965
Photo © Fred W. McDarrah/Getty Images

Peter Moore, Jim Dine’s Natural History (The Dreams), “First Theater Rally: New York”, TV Studio (former CBS studio), Broadway and 81st Street, New York, 3 May 1965
Photo © 2020 Barbara Moore / Licensed by VAGA at Artists Rights Society (ARS), New York. Courtesy Paula Cooper Gallery, New York

Peter Moore, James Silvia and Jim Dine in Jim Dine’s Natural History (The Dreams), “First Theater Rally: New York”, TV Studio (former CBS studio), Broadway and 81st Street, New York, 3 May 1965
Photo © 2020 Barbara Moore / Licensed by VAGA at Artists Rights Society (ARS), New York. Courtesy Paula Cooper Gallery, New York

Peter Moore, Nancy Fish and Bob Brown in Dine’s Natural History (The Dreams), “First Theater Rally: New York”, TV Studio (former CBS studio), Broadway and 81st Street, New York, 3 May 1965
Photo © 2020 Barbara Moore / Licensed by VAGA at Artists Rights Society (ARS), New York. Courtesy Paula Cooper Gallery, New York


 



 


GALLERY 2



Two Nests, 1960
oil and drilled holes on masonite, diptych

overall dimensions cm 243,8 × 243,8
Courtesy of Richard Gray Gallery and the artist

 

Five Maroon Rope Pictures, 1961
oil and rope on canvas, polyptych (five canvases)
each canvas cm 61 × 51
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

Red Suspenders, 1961
oil and suspenders on canvas
cm 87,7 × 72,5 × 3,5
Private collection

 

Shoe, 1961
oil, graphite and wood on canvas
cm 162,6 × 130,8
Private collection

 

Big Black Tie, 1961
oil on canvas
cm 290 × 178
Private collection

 

Tie Tie, 1961
oil and graphite on canvas
cm 186,5 × 197,5
Private collection, Roma

 

Window with an Axe, 1961-1962
oil and axe on window (wood, glass and aluminium)
cm 176,5 × 102 × 38
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Two Shovels, 1962
oil, two shovels and metal hooks on canvas
cm 122 × 213 × 23,5
Private collection, Kunstmuseum Liechtenstein, Vaduz

 

Black Shovel, 1962
oil, shovel, rope, wood and metal hook on canvas, wooden box and earth
cm 244 × 97
The Sonnabend Collection and Antonio Homem. On extended loan to Ca’ Pesaro – Galleria Internazionale d’Arte Moderna, Venezia

 

A Black Shovel, Number 2, 1962
oil and shovel on canvas
cm 92,4 × 214,5 × 19,4
Whitney Museum of American Art, New York. Gift Dr. and Mrs. Bernard Brodsky

 



 

 


GALLERY 3


White Bathroom, 1962
oil and objects on canvas
cm 183,3 × 184 × 16,5
Louisiana Museum of Modern Art, Humlebaek

Four Soap Dishes, 1962
oil, objects and painted wood on canvas, polyptych (four canvases)
overall dimensions cm 124 × 104 × 4
The Sonnabend Collection and Antonio Homem. On extended loan to Ca’ Pesaro – Galleria Internazionale d’Arte Moderna, Venezia

 

Four Rooms, 1962
oil on canvas, metal, painted armchair, polyptych (four canvases and one metal panel)
cm 182,9 × 457,2 × 38,1
Courtesy of Richard Gray Gallery and the artist

 

Two Palettes in Black with Stovepipe (Dream), 1963
oil on two canvases, metal stovepipe and masonite
overall dimensions circa cm 225 × 307 × 172
The Sonnabend Collection and Antonio Homem. On extended loan to MART - Museo di arte moderna e contemporanea di Trento e Rovereto

 

Long Island Landscape, 1963
house paint, oil, charcoal and objects on canvas, polyptych (six canvases)
overall dimensions cm 244,5 × 412,8 × 25,4
Whitney Museum of American Art, New York. Gift Patsy and Myron Orlofsky in memory of Esther and Sam Orlofsky

The Studio (Landscape Painting), 1963
oil on canvas, wooden and painted objects (glass, metal, ceramic, wood), polyptych (six canvases)
overall dimensions cm 154,9 × 275,6 × 27,3
Courtesy of Pace Gallery, New York

 


 



 

 


ROTUNDA


VIDEOS
 

U.S.A.: Artists. Jim Dine, Television broadcast, black and white, with sound, 30 minutes

Written by Alan R. Solomon

Directed by Lane Slate
Music by Manny Albam

Produced by National Education Television, New York, in conjunction with the Radio Center

 

“Something I Would Like to Hear from My Voice”, a documentary on Jim Dine, shot in Jim Dine’s Montrouge studio on 21 July and 12 December 2016

Interview by Olivier Brossard

Video and editing by Siméa Lupéron, Jayson Sansol, Elie Sechan

Produced by Campus Numérique, Université Gustave Eiffel, Institut Universitaire de France, France, 2016


 

 


GALLERY 4


Stephen Hands Path, 1964
enamel and charcoal on canvas, oak tree trunk, wooden sawhorse, two axes

overall dimensions approximately cm 155 × 307 × 69
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

My Tuxedo Makes an Impressive Blunt Edge to the Light, 1965
oil, charcoal, metal, metal hangers and suit on canvas, shoes, wooden shoe forms, polyptych (two canvases)
overall dimensions approximately cm 210,3 × 183 × 45
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

British Joys (A Picture of Mary Quant), 1965
oil and charcoal, paper pattern, wood, electric lamp, hanger and dress on canvas, dyptych (two canvases)
overall dimensions approximately cm 150 × 240 × 30
Collection Agnes & Frits Becht, Nederland

Red Axe, 1965
painted aluminium
cm 34 × 205 × 7
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Large Boot Lying Down, 1965
aluminium on velvet cushion and painted wood base
overall dimensions cm 58 × 103,5 × 38
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Another Ribbon Machine, 1965
aluminium and coloured satin ribbons
overall dimensions approximately cm 186 × 176 × 60
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Betty, 1969
oil, acrilic, wood, metal, two saws and a tuxedo shoe on canvas
canvas size cm 122 × 490
Private collection, Torino

 

A Thin Kindergarten Picture, 1974
oil on canvas and objects
canvas size cm 61 × 275, overall dimensions cm 101 × 275 × 20
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018


 
 


GALLERY 5


Nancy and I at Ithaca (Straw Heart), 1966-1969
steel, straw, resin and glue
structure size cm 157,5 × 182 × 35,5
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Nancy and I at Ithaca (Green Hand), 1966
fabric and wood
cm 213 × 98 × 20,5
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Nancy and I at Ithaca, exhibition catalogue designed and collaged by J. Dine, with notes by W. C. Lipke and photos by W. C. Lipke and J. White, exhibition “Jim Dine and I at Ithaca”, Andrew Dickson White Museum of Art, Cornell University, Ithaca (New York), 7-30 April 1967

 

Putney Winter Heart No. 9 (Poulenc), 1971
acrylic, charcoal and objects on canvas
cm 182,8 × 182,8 × 3
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Putney Winter Heart (Crazy Leon), 1971-1972
acrylic, charcoal and objects on canvas
cm 183 × 183
Musée d’art moderne et contemporain de Saint-Étienne Métropole

The Bride and Groom, 1996
oil, acrylic and sand on canvas and on polyester carpet nailed on wood, triptych (two canvases and one wood)
overall dimensions cm 182,9 × 366 × 4 
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Glade of Color, 2011
acrylic and sand on wood
cm 95 × 184
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

A Child in Winter Sings, 2011-2012
acrylic and sand on canvas, diptych (two canvases)
overall dimensions cm 243,5 × 244 
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Late Friends, 2012
acrylic and sand on canvas
cm 274,5 × 275
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017


 

 


GALLERY 6


The Farmer, 1984
oil on canvas
cm 230 × 189
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Blue Valley (The Mead of Poetry), 1987
oil on bronze and wood, polyptych (two bronze panels and three woods) and bronze sculpture 
cm 123 × 521,5
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Black Venus, 1991
black stain on maple wood
cm 197 × 69 × 66
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Ape, Police, Doctor, Soldier, Me, 1997
oil, enamel, acrylic, sand and charcoal on canvas and wood, polyptych (four canvases and one wood)
overall dimensions cm 238,5 × 83,3 × 5,4 
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Drunk and Sober, 2001
oil, enamel, charcoal, objects on wood and tempera on wall, polyptych 
cm 191 × 72 × 23, cm 196 × 69 × 31, cm 192 × 68 × 23, cm 193 × 69 × 22
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 

Two Large Voices Against Everything, 2016
acrylic and sand on canvas, diptych 
overall dimensions cm 244,2 × 309 × 4,5 
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018


 

 


GALLERY 7


Sawhorse Piece, 1968-1969
oil and screen-printing ink on two canvases, fabric and wooden sawhorses, on the floor objects, debris and dust from the artist’s studios (work in progress)
overall dimension in the Palazzo delle Esposizioni display cm 500 x 500
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

Harvest, 1984
painted bronze
cm 175 × 244 × 88
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

The Garden of Eden, 2003
painted bronze and stainless steel, five elements
overall dimensions cm 203 × 280 × 61 
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

The Wind and Tools (A Glossary of Terms), 2009
oil, enamel, metal and objects on wood, three elements
cm 208,8 × 90,8 × 94, cm 208,2 × 89,5 × 110,5, cm 208,2 × 101,6 × 106,6, 
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2018

 


 

PRINTS
 

 

2 Hearts (The Donut), 1970
lithograph, J. Whatman paper, diptych
each sheet cm 137,2 × 81,3
Edition of 17 plus Artist’s Proofs
Printed by William Goldstone
Published in 1972 by Universal Limited Art Editions, West Islip, Long Island
Jim Dine and Cristea Roberts Gallery, London

The Earth, 1984
lithograph, Arches paper
cm 117,5 × 81,3
Edition of 50 plus Artist’s Proofs
Printed by Toby Michel, Angeles Press, Santa Monica (California)
Published by Pace, New York
Jim Dine and Cristea Roberts Gallery, London

The Garrity Necklace, 1986
aquatint and power-tool drypoint, Arches Cover paper
cm 135,3 × 103,5
Edition of 30 plus Artist’s Proofs
Printed by Robert E. Townsend, R. E. Townsend Studio, Georgetown (Massachussetts)
Jim Dine and Cristea Roberts Gallery, London

Shellac on a Hand, 1986
spit-bite aquatint and power-tool drypoint with hand colouring, Arches Cover paper
cm 146,7 × 101
Edition of 30 plus Artist’s Proofs
Printed by Donald Saff, Deli Sacilotto, Patrick Foy, George Holzer, Graphicstudio University of South Florida, Tampa
Jim Dine and Cristea Roberts Gallery, London

Self in the Ocean, 1991
soft-ground etching,spit-bite etching and aquatint with hand colouring, Hahenmuhle paper
cm 138,4 × 100,6
Edition of 30 plus Artist’s Proofs
Printed by Niels Borch Jensen and Mette Ulstrup, Varksted for Kobbertryk, Copenhagen
Jim Dine and Cristea Roberts Gallery, London

Shellac and Candy, 1993
woodcut with hand colouring, Arches Cover paper
cm 127 × 100,3
Edition of 12 plus Artist’s Proofs
Printed by Joe Wilfer and Ruth Lingen, Spring Street Workshop, New York
Jim Dine and Cristea Roberts Gallery, London

Red Darkness, 1993
woodcut with hand colouring, Arches Cover White
cm 139,7 × 108,6
Edition of 30 plus Artist’s Proofs
Printed by Ruth Lingen and Ted Beckstead, Spring Street Workshop, New York
Jim Dine and Cristea Roberts Gallery, London

The Colorful Wall, 1993
woodcut with hand painting, Arches Cover paper
cm 141,6 × 106,7
Edition of 18 plus Artist’s Proofs
Printed by Joe Wilfer and Ruth Lingen, Spring Street Workshop, New York
Jim Dine and Cristea Roberts Gallery, London

Underwater in Denmark, 1993
aquatint and woodcut with hand colouring, waterleaf wove
cm 121,3 × 101
Edition of 13 plus Artist’s Proofs
Printed by Niels Borch Jensen, Varksted for Kobbertryk, Copenhagen (aquatint) and Joe Wilfer and Ruth Lingen, Spring Street Workshop, New York (woodcut)
Jim Dine and Cristea Roberts Gallery, London

Red Passion, 1996
cardboard intaglio, Arches Cover paper
cm 100,3 × 162
Edition of 12 plus Artist’s Proofs
Printed by Bill Hall and Julia D’Amario, Spring Street Workshop, New York
Jim Dine and Cristea Roberts Gallery, London

Sainte Anne, 1996
etching and aquatint with hand colouring, Somerset paper
cm 149,9 × 106,4
Edition of 20 plus Artist’s Proofs
Printed by Kurt Zein, Werkstatt für Original-Graphik, Wien
Jim Dine and Cristea Roberts Gallery, London

Noon, 1998
woodcut and cardboard intaglio with hand colouring, Arches Cover paper
cm 120,7 × 96,5
Edition of 18 plus one Artist’s Proofs
Printed by Ruth Lingen, Anne Polashenki, Julia D’Amario and Bill Hall, Spring Street Workshop, New York
Jim Dine and Cristea Roberts Gallery, London

The Gray Fort, 2003
woodcut and rubber stamp with hand-colouring, Somerset Satin paper
cm 168,3 × 127
Edition of 18
Jim Dine and Cristea Roberts Gallery, London

Yellow Nights, 2006
lithograph, Hahnemuhle paper
cm 158,7 × 125,7
Edition of 12
Jim Dine and Cristea Roberts Gallery, London

Four Hearts in Silver, 2007
lithograph and woodcut, Hahnemuhle paper
cm 160,4 × 123,7
Edition of 17 plus Artist’s Proofs
Jim Dine and Cristea Roberts Gallery, London

Bell Tower, 2008
woodcut, drypoint and monoprint, Somerset Sunray paper
cm 132,1 × 107,9
Edition of 11
Jim Dine and Cristea Roberts Gallery, London

Remembering Wallace Ting, 2010
woodcut and lithograph, Arches Cover paper
cm 128,3 × 99,1
Jim Dine and Cristea Roberts Gallery, London

Snips, Hammer and Pliers, 2011
woodcut and copperplate etching, Rives BFK paper
cm 138,4 × 97,8
Edition of 13
Jim Dine and Cristea Roberts Gallery, London

It’s Raining in Princedom, 2018
woodcut
cm 161,5 × 130
Edition of 3 plus Artist’s Proofs
Jim Dine and Cristea Roberts Gallery, London

 

 


 


GALLERY 8


Pinocchio (Blind Boy), 2004
enamel on wood
cm 261,6 × 170,2 × 80
Courtesy of Richard Gray Gallery and the artist

 

Pinocchio at Night, 2004
enamel on wood
cm 233,7 × 160 × 99,1
Courtesy of Richard Gray Gallery and the artist

The Crying Sand, 2006
enamel, sand, glue and putty on wood
cm 209 × 68 × 56
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2017

 

Pink Wash, 2006
enamel on wood
cm 226 × 76,2 × 83,8
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2019

You Work Hard All Summer etc…, 2006
enamel on wood and objects
cm 292 × 213,4 × 89
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 2019

 

2 Guys on Polished Steel, 2007
enamel on wood and steel
cm 210,8 × 169,5 × 89,5
Courtesy of Richard Gray Gallery and the artist

 

The Prince, 2008
enamel on wood
cm 184 × 72 × 66
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle, Paris. Gift Jim Dine 201

 

The Grey One, 2008
enamel and sand on wood
cm 188 × 152,4 × 71,8
Courtesy of Richard Gray Gallery and the artist

 

Those Are Yellow Gloves, 2013
oil and enamel on wood, steel stool
cm 200,7 × 124,5 × 66
Courtesy of Richard Gray Gallery and the artist

 

I’m Keeping His Arms Warm, 2013
oil, enamel, varnish and elastic fabric on wood 
cm 167 × 52 × 44
Centre Pompidou, Musée national d’art moderne-Centre de création industrielle,
Paris. Gift Jim Dine 2017

Red Gloves, Yellow Shirt, 2013
oil and enamel on wood and wooden chair 
cm 170,2 × 66 × 88,9
Courtesy of Richard Gray Gallery and the artist