Vanzetti, Laganà, Crudelty Stoffe, GMM, Correnti Magnetiche, Savi, Altair 4 Multimedia, Gerosa, Abbado, Bertol, Böhm

May 28 2022, 11:00 am and 4:00 pm
Admission free while places last, reservation required

Guido Vanzetti, Giuseppe Laganà, Pixnocchio, 1982, 3’ 58”, col., son., 16 mm, courtesy eredi Guido Vanzetti
 

Crudelity Stoffe, Abol City, 1983, 9’ 10”, col., son., U-matic, courtesy gli artisti
 

Giovanotti Mondani Meccanici, Giovanotti Mondani Meccanici contro Dracula, 1984, 11’ 42”, col., son., U-matic, courtesy gli artisti
 

Correnti Magnetiche, Minima, 1985, 8’ 30’’, col., son., U-matic, courtesy Correnti Magnetiche, Mario Canali
 

Correnti Magnetiche, Giallo, 1986, 3’, col., son., U-matic, courtesy Correnti Magnetiche, Mario Canali Adriano Abbado, Dynamics, 1988, 3’ 57”, col., son., video M, courtesy l’artista e Massachusetts Institute of Technology
 

Fabrizio Savi, Alito, 1988, 6’ 40’’, col., son., U-matic, courtesy l’artista
 

Altair4 Multimedia, Acid Time, 1989, 1’ 50”, col., son., U-matic, courtesy Archivio Storico Altair4 Multimedia Giovanotti Mondani Meccanici, Electronic Mandala, 1989, selezione (4 di 17 video), 7’ 11”, col., son., U-matic, courtesy gli artisti
 

Ida Gerosa, Industria, 1991, 7’ 18’’, col., son., VHS, courtesy eredi Ida Gerosa
 

Correnti Magnetiche, Columbus Egg, 1992, 1’ 30’’, col, son., U-matic, courtesy Correnti Magnetiche, Mario Canali e Stefano Roveda
 

Ida Gerosa, Nascita, 2005, 6’ 15’’, col., son., video digitale, courtesy l’artista
 

Adriano Abbado, KAYUPUTIH, 2008 (re-edit 2011), 2’ 24’’, col., muto, video digitale, courtesy l’artista
 

Daniela Bertol, Il corpo e lo spazio, 2015, 5’, col., son., video digitale, courtesy l’artista
 
Michele Böhm
, I am NPC, 2020, 20’, col., son., video digitale, courtesy l’artista

Informazioni

ADMISSION FREE WHILE PLACES LAST, RESERVATIONS REQUIRED. Access to the screenings is restricted to those in possession of COVID-19 Certification (“Green Pass Rafforzato”) and of an FFP2-type face mask. Reservations should be made on our website from 9:00 am on the Monday preceding the screening right up until an hour before the film is due to start. If you cannot make it, please remember to cancel your booking in your private area on the website so that someone else can take your place. Please make sure you get there 10 minutes before the film is due to start, otherwise your reservation will no longer be considered valid and your place will be given to the first person in the queue at the entrance.

Sala Cinema

Admission via steps in via Milano 9a

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rassegna
curated by Paola Lagonigro
05.28.2022