In the late-1980s the publishing sector experienced a sharp decline in sales throughout Italy. Faced with the need to publish readymade, off-the-press books, the historical and cultural roots of works lost their priority, thereby sacrificing the revolutionary essence of literature itself – whose primary duty is surely to spread free and often dissonant thought. Rather than throwing in the towel, it was at this moment that Marcello Baraghini and his Stampa Alternativa publishing house cheekily decided to publish new books that went against the current, pared back to the essentials, with the full impact of their pure content. Up until that point, short texts – often more significant than longer ones – had been confined to literary anthologies and were therefore largely inaccessible to most. Baraghini’s idea was to give them a new lease of life with a new visibility, also in view of the fact that the entrepreneurial risk was practically nil. Quality works at a low cost, with the symbolic price tag equal to “a cup of coffee”. And so the Millelire book series came into being: small format books that could be sold on the street, unfettered from the constraints of the existing editorial market, whose logic was thus turned on its head.